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Tomorrowisnowtodayisyesterday /TiNTiY @ S'Ala

Writer's picture: Tonito SolinasTonito Solinas

with Sung-im Her and Martha Pasakopoulou Igor x Moreno remind it every single time. It is an encouragement to all people present. A warning, if you will, calling for a sense of responsibility to those who are brave enough to expose their incomplete works to the judgment of others. "๐–๐ž ๐š๐ซ๐ž ๐š๐ฅ๐ฅ ๐ก๐ž๐ซ๐ž ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž๐ฆ, ๐ญ๐จ ๐ก๐ž๐ฅ๐ฉ ๐ญ๐ก๐ž๐ฆ ๐๐ฎ๐ซ๐ข๐ง๐  ๐ญ๐ก๐ž ๐œ๐ซ๐ž๐š๐ญ๐ข๐จ๐ง ๐ฉ๐ซ๐จ๐œ๐ž๐ฌ๐ฌ." The wording is actually an important part of ๐ญ๐ก๐š๐ญ ๐จ๐ง๐ž ๐ฌ๐ฉ๐ž๐ฅ๐ฅ that always projects me into another dimension. And that unpleasant โ€œafternoon sorrowโ€ of mine, gone! The opening scene is ๐ฉ๐ฅ๐š๐ข๐ง ๐š๐ง๐ ๐ฌ๐ข๐ฆ๐ฉ๐ฅ๐ž. Two faceless women scramble across the scene in a clumsy attempt to relate to each other. A struggle? A tangle of flesh? Their knees and feet bear the mark of dance. Their bodies, lively and responsive. A few elements suggest the upcoming construction of a set. The chromatic chiasmus, the forced breaths, translations which remind of the moving targets at the shooting range, and then ... ๐ข๐ฌ ๐“๐‡๐€๐“ ๐š๐ง ๐ž๐ฆ๐จ๐ญ๐ข๐œ๐จ๐ง?!? Hmmm... smells like IG here.... โ€œ๐‘†๐‘œ, โ„Ž๐‘œ๐‘ค ๐‘ก๐‘œ โ„Ž๐‘Ž๐‘ฃ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘’๐‘ ๐‘ก ๐‘ ๐‘ก๐‘œ๐‘Ÿ๐‘ฆ ๐‘œ๐‘› ๐ผ๐‘›๐‘ ๐‘ก๐‘Ž๐‘”๐‘Ÿ๐‘Ž๐‘š? ๐‘ƒ๐‘™๐‘Ž๐‘๐‘’ ๐‘ฆ๐‘œ๐‘ข๐‘Ÿ ๐‘“๐‘Ž๐‘๐‘’ ๐‘–๐‘› ๐‘“๐‘Ÿ๐‘œ๐‘›๐‘ก ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’โ€ฆโ€ Yep, told you! And then, everything makes much more sense. For once, thereโ€™s no friction between mankind and social media. No accusing finger pointing at digital tools, but an awareness of their full potential. A potential that can be of use to the ๐‘๐ž๐ฌ๐ข๐ฅ๐ข๐ž๐ง๐ญ ๐†๐ž๐ง๐ž๐ซ๐š๐ญ๐ข๐จ๐ง. This piece of work follows a circular path and gives some advice on how to bring to life "๐ญ๐ก๐ž ๐›๐ž๐ฌ๐ญ ๐ฌ๐ญ๐จ๐ซ๐ฒ ๐จ๐Ÿ ๐ฎ๐ฌ"! The discussion that follows is passionate. A roundup of suggestions, questions, confirmations, hypotheses. And โ€“ yes, I just canโ€™t help it โ€“ unsolicited suggestions of mine! Which are, most likely, worthless! eheh ๐‘†๐‘–๐‘‘๐‘’ ๐‘›๐‘œ๐‘ก๐‘’: The opening scene with the "faceless" bodies has sort of haunted me during the whole performance. I have had a fair amount of exposure to Chinese people in my life and I canโ€™t help but wonder whether itโ€™s a reference their fear of ๐ฅ๐จ๐ฌ๐ข๐ง๐  ๐ญ๐ก๐ž๐ข๐ซ ๐Ÿ๐š๐œ๐ž (miร nzi) and the importance they attach to social standing. Or is it just me? Love the image, in any caseโ€ฆ And S'ALA / spazio per artist+ hits a home run once more! #salasassari #sungimher #marthapasakopoulou #tintiy Photo credit: Sung-im Her

Tutte le reazioni: 2Rita Fiori e Martha Pasakopoulou

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